People-Watching as an Art for Authors – Pt.8
- John Jeffries
- Dec 9, 2015
- 2 min read

Part Eight: Pose and Posture
Pose. By definition, pose is a deliberately studied attitude assumed for effect. One “strikes a pose,” that is to say, adopts a certain attitude or expression in order to leave a desired impression. Thus a pose can be artful, false, and calculated to mislead; however, it frequently reflects the inner person and thus can be crucially important in the assessment of personality. The following are commonly used adjectives, chiefly qualitative, for describing a person's characteristic pose. Many of these traits are observable, although they frequently contain some amount of interpretation. The list is by no means exhaustive:
athletic vs languid, effete
ceremonial, formal, aristocratic vs casual, informal, off-hand
confident, composed vs nervous, tremulous
consistent vs inconsistent
conspicuous vs colorless
dainty vs clumsy
defiant vs cringing, fawning
eater vs abstracted, apathetic
eccentric, peculiar vs normal, wholesome
energetic, vigorous vs feeble
exact, accurate vs careless
expansive vs restrained, reclusive
explosive vs stolid
extravagant vs unassuming
fluid, smooth vs erratic
forceful, commanding vs ineffectual
frank vs reserved
free, flexible vs inhibited, rigid
graceful vs awkward, uncouth
impulsive, impetuous vs cautious, deliberately individual vs stereotyped, mechanical
intense, decisive vs hesitant, wavering
light vs heavy
majestic, stately vs simple
mature vs childish
military vs listless
naive, natural vs studied, stilted, affected, artificial
neat, precise vs slovenly, sloppy, vague
purposive vs aimless
quick vs slow
refined vs common
restless vs calm, quiet, placid
self-conscious vs unreserved
strong, firm, emphatic vs weak, indecisive
vivacious, lively, alert vs sleepy, indifferent, inert
Posture. Observing a man's posture is a matter of noting his use and positioning of shoulders, trunk and legs. In extreme cases, the target may have a rigidly erect posture suggesting military training, or a slumped-over posture that interferes with proper respiration and suggests, if not organic difficulties, a low energy level. Some aspects of posture are shoulders thrown back, chest out, shoulders consciously squared, shoulders drooping, regular or variable respiration. The observed person may stand squarely on both legs, lean heavily on one leg, habitually place one leg behind another, and so on.
Coming in Part Nine: Nervous or Symbolic Use of Body Parts, Gestures and Handshake
Comments